Crescent of Tides: Brass Drop Necklace

“Crescent of Tides” presents itself as a kinetic piece of adornment, rich in texture and form. Its semi-circular composition draws the eye into a sweeping arc of repeated elements, combining metallic structure with subtle textile accents. The necklace embodies the visual rhythm of ceremonial ornamentation, yet feels distinctly contemporary when viewed through the lens of modern design.

The central arc is constructed from a series of curved brass elements, arranged in a layered formation that creates volume and sculptural depth. Each piece is punctuated by small rounded beads, forming a steady cadence along the collar. Suspended from this foundation is a fringe of elongated drops, each tapered and looped at the base. Together, they form a dynamic perimeter — an architectural “frame” of movement that responds softly to touch and motion. The repetition of these shapes lends the necklace a sense of balance and structure, while the variations in patina add nuance and individuality to each component.

Anchoring the composition is a single coin situated along the lower center line. Its presence introduces an element of past circulation, exchange, and meaning. Though worn, the coin retains enough detail to signal a prior life in commerce before transitioning into ornament. Within the context of the necklace, it becomes a focal point — a point of origin around which the rest of the piece appears to radiate.

The two ends reveal woven textile bindings in muted green and deep red, offering a tactile contrast to the metallic elements. These textiles soften the piece and hint at the human hand, suggesting that the act of wearing was once as meaningful as the object itself. Small embellishments continue along the upper connectors, reinforcing the intentionality of every detail from clasp to fringe.

What distinguishes “Crescent of Tides” is the interplay between sculptural density and airy movement. The structured upper arc provides a confident visual weight, while the lower fringe introduces fluidity. The result is an object that occupies space with presence yet retains a delicate, almost acoustic quality — as if it holds sound within its form.

As an art object, it feels at once intimate and expressive. It bridges the language of personal adornment with that of collectible design, making it compelling both as a historical artifact and as a sculptural accent in a refined contemporary context.